Mitsuzaki Kengyō
光崎 検校
作曲
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At the end of the Tokugawa shogunate, under the influence of the national studies of Motoori Norinaga and others, he entered the era of retrospectives, and composed purely koto songs, which brought about a major turning point in the history of koto. He revived the koto, making it not subordinate to the shamisen, and influenced Yoshizawa Kengyo. He is in the same class as Kikuoka Kengyo. His koto teacher is Yaezaki Kengyō.
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先生
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作曲・編曲
| 尺八 の作品 | |||
| タイトル | 漢字 | 年 | 別題 |
| Aki Kaze no Kyoku | 秋風の曲 |
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| Yūbe no Kumo | 夕辺の雲 |
Clouds at Sunset | |
| 箏 | |||
| Aki Kaze no Kyoku | 秋風の曲 |
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| Godan Ginuta | 五段砧 |
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| Sakura Gawa | 桜川 |
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| Yoyo no Hoshi | 夜々の星 |
Evening Stars | |
| 三弦 | |||
| Chiyo no Uguisu | 千代の鶯 |
Nightingale of Myriad Generations | |
| Mitsuyama | 三津山 |
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| Nanakomachi | 七小町 |
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| Sakura Gawa | 桜川 |
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| Yoyo no Hoshi | 夜々の星 |
Evening Stars | |
| Yūbe no Kumo | 夕辺の雲 |
Clouds at Sunset | |
| Hatsu ne | 初音 |
mid-19th century |
First Sound (The Bush Warbler's First Song) |