Ozatsuma
大薩摩
発祥 (宮田 耕八朗):
| This is one of two solo shamisen excerpts from Nagauta - the most important musical portion of Kabuki theater. Both excerpts typify the occasional interludes without voice, in which the shamisen is played in a most virtuosic manner. These interludes tend to come at the peak of dramatic tension; often several players perform in perfect unison ensemble. Ozatsuma is the name of the shamisen technique exemplified here. |
大薩摩 は下記のアルバムに収録されています
| アルバム | アーティスト | |
| Ensemble Nipponia - Japan Traditional Vocal and Instrumental Music | ||
|
This is one of two solo shamisen excerpts from Nagauta - the most important musical portion of Kabuki theater. Both excerpts typify the occasional interludes without voice, in which the shamisen is played in a most virtuosic manner. These interludes tend to come at the peak of dramatic tension; often several players perform in perfect unison ensemble. Ozatsuma is the name of the shamisen technique exemplified here. | ||
 | Shamisen Genroku Hanami-Odori | |