Hi Fu Mi Cho (Taizan Ha)
一二三調
| [ジャンル] | 本曲 |
| [流派] | Taizan Ha - 対山派 |
一二三調 は下記のアルバムに収録されています
| アルバム | アーティスト | |
| Art of the Shakuhachi Vol I |
尺八 : 三橋 貴風 | |
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Hifumi-cho is, like Choshi, a take-shirabe, a piece of an introductory nature, but it too has evolved into something of an independent composition. Hifumi-cho was introduced to the Kyoto Myoanji temple around 1895 by Higuchi Taizan (1856-1914), a player of the Kinko school in Tokyo. Hifumi means ‘one two three,’ implying a beginner's first steps; cho (or shirabe) means ‘mode’ or more literally ‘exploration.’ This piece is often the first music a novice learns, both in the Kinko and Myoanji schools. Hifumi-cho is characterized by a melody that remains entirely within the lower octave of the instrument. For this reason the mood of the composition is very calm. | ||
| Hi Fu Mi |
尺八 : Renkei Hashimoto | |
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Shakuhachi pupils of the komuso tradition usually learn this piece first. The melody remains in the lower octave (otsu), i.e. there is no overblowing into the upper octave (kan). Like Honte choshi, Hifumi was originally played to warm up the instrument and regulate the breath and combined with numerous pieces. Today it is often played before the composition Hachi gaeshi or as an individual work.
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 | Ichion Jobutsu |
尺八 : 松本虚山 |
| Koten Shakuhachi Gaku Zen Shū - 1 |
尺八 : 竹内 史光 | |
| Meianji Shoden Shakuhachi Honkyoku Shu 01 |
尺八 : 芳村普庵·宗心 |
| Myoan Sanjunana Sei Tanikita Muchiku Shu - 1 |
尺八 : 谷北 無竹 |
| Standing Waves (CD) |
尺八 : Torsten Olafsson | |