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Yanagawa Ryû - 柳川流

[Fundado] Yanagawa Kengyō

Historia

The Yanagawa style is the oldest school of Jiuta shamisen and is currently only handed down in Kyoto. The founder was Yanagikawa Kengyo (? ~ 1680), and Ishimura Kengyo (? ~ 1624), who is said to have developed the shamisen itself and composed seven songs of Shamisen Kumiuta (honte). In the first place, the school of Jiuta is based on the traditional lineage of Shamisen Kumiuta, which was a compulsory song for acquiring a professional status.

The shamisen was also improved little by little, but the one from the Yanagawa School was the mainstream. However, in Osaka, after the first Tsuyama Kengyō (? ~ 1836) developed the Tsuyama version that was thin and widespread at the tip, the versions that followed it rapidly spread, and in the Meiji era, the instrument itself was improved. The current Jiuta shamisen was completed in Tokyo by the disciple Riko Kawase (1873-1957), who received the trace of Kyushu's Kouki Hase (1842-1925), and is commonly called the Kyushu shamisen.

Nowadays, Kyushu shamisen and Tsuyama plectrum have become the mainstream of Jiuta, and even in Kyoto, which has inherited the Yanagawa style, Kyushu shamisen with a wide range of expressiveness has come to be used.

However, it must have been this Yanagikawa shamisen used when the most frequently played Kyofu Tejimono were created as Jiuta. Kyoto plays a central role in handing down the Yanagikawa Shamisen so that it will live on.

Repertorio
Aoyagi
青柳
Asagi
浅黄
Chawan
茶碗
Chiyo no Megumi
千代 の 恵み
Fusho Gumi
不祥組
Hate Katabachi
果て片撥
Haya Fune
早舟
Hinda Gumi
飛騨組
Hira Ya Komatsu
比良や小松
Hosori
細り
Jyūni Gatsu Shin Gumi
十二月新組
Kuzu no Ha
葛の葉
Kyō Ganoko
京鹿子
Matsu ni Gozare
待つにござれ
Matsu ni Gozarita
待つにごさりた
Misu
御簾
Nagasaki
長崎
Nakajima
中島
Nanatsuko
七つ子
Nayoshi
なよし
Rangoya
乱後夜
Rosai
弄斎
Ryūkyū Gumi
琉球組
Seiran
青嵐
Tori Gumi
鳥組
Ukiyo Gumi
浮世組
Yawata
八幡
Yurikan
ゆりかん
Personas Asociadas
Hayashi Mineko
林美音子
Tanaka Kinutō
田中きぬ等
Yanagawa Kengyō
柳川検校