発祥 (Michael Chikuzen Gould):

息観 は下記のアルバムに収録されています

	アルバム	アーティスト
	Bamboo In Zen	尺八 : Alcvin Ryuzen Ramos
	Breath-Sight - Yearning for the Bell Volume 1	尺八 : 皇保
Breath Sight Contemplation of one's breath is "seeing" one's breath. The act of playing honkyoku is the act of focusing on one's breath. Played on an exceptionally long 3.1 shaku length instrument (one shaku = 30.3cm).
	Floating Clouds	尺八 : Michael Chikuzen Gould
The performer here must lose himself in contemplation of breath or soul until it appears in the mind's eye.
	Ichi	尺八 : Horacio Curti
Serene contemplation of one's breathing.
	In Dead Earnest Part 2	尺八 : 石川 利光
	Japanese Traditional Shakuhachi	尺八 : 横山 勝也
Origin unknown. The title Sokkan might have some relationship with the Zen Buddhist concept of Seikan , the 'serene contemplation'. The player gets him self absorbed in each note in low register trying to 'see the truth with his mind's eye'.
	Marco Lienhard - Shakuhachi	尺八 : Marco Lienhard
	Sangai Rinten - 3	尺八 : 横山 勝也
The title of this piece has the characters for "breath" and "sight." The piece expresses the dynamic feelings which result from the contemplation of the breath. According to Wadatsumido, the most important element of shakuhachi playing is the discipline of the breath. This is particularly necessary in this piece using the very long 2 shaku 8.5 sun shakuhachi.
	Shakuhachi - Ryudo - 01	尺八 : 高橋 龍童
	Sokkan	尺八 : 谷口嘉信
The characters used in the title of this piece are "so" which is denotes "iki" or "breath" and "kan" which means "to see" or "observe". This name may come from the zen concept of seikan which is "serene contemplation." Sokkan expresses the dynamic feelings which result from contemplation of one's breath as the player gets absorbed in each note in the lower register trying to "see the truth in the mind's eye". One should naturally incorporate various qualities of breath discovered during this contemplation.
	Tajima Tadashi Shakuhachi no Sekai III	尺八 : 田嶋 直士
	Watazumido-so Roshi	尺八 : 海童 道祖 老師