"Riley and Satsuki Odamura play their favourite shakuhachi and koto duets."

Riley Kōho Lee
New World Productions - OW736
1997

Track	Title	Kanji	Length	Artist
1	Sakaramenta ni yoru kurichan komori uta		08'10	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Sacramental Christian Lullaby - was composed in memory of the early Japanese Christians who were persecuted by the military government before and during the Edo period (1600-1868).
2	Sekishun	惜春	09'14	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Lamenting the Passing of Spring - was composed in the same tuning as the famous piece, 'Spring Sea', to evoke a feeling of deja vue. The piece expresses the joy of experiencing the season of awakening as well as the sadness of knowing that it is soon over.
3	Tsukikusa no Yume	月草の夢	03'54	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	The Dream of the Dayflower - was originally composed for piano and shakuhachi. The composer was one of Mr. Yokoyama's teachers. The word tsukikusa translates literally as 'Moon Grass'.
4	Haru no Umi	春の海	07'08	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Spring Sea - is one of the most frequently performeg pieces in the koto and shakuhachi repertoire. Miyagi was inspired to compose this piece by the beautiful Seto Inland Sea.
5	Ichikotsu　1st Movement	壱越 - 第一楽章	11'41	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Tuning in D - is the translation of ichikotsu; the name of a kind of mode or scale in traditional Japanese music.
6	Shikyoku No 1	詩曲一番	12'58	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Poeme I - is based on the traditional koto piece 'Chidori' (The Plover), sounding the opening four-note motive of the older work. The two instrumental parts represent male and female aspects, which initially contrast and then unite.
7	E mu	絵夢	07'05	Shakuhachi: Riley Kōho Lee Koto: Odamura Satsuki
	Picture Dreams - was inspired by the sound of the late autumn wind at the mountain temple, Katsuoji; the wind blowing through the fields and mountains at dusk.