発祥:

六段の調 は下記のアルバムに収録されています

	アルバム	アーティスト
	Abe Keiko - 03	三弦 : 菊原 初子 三弦 : 阿部 桂子
	Abe Keiko Record Set - 01	胡弓 : 横井 みつゑ 三弦 : 菊原 初子 三弦 : 阿部 桂子
	All the Best from Japan
	Araki Kodo III and Fukuda Eika - Collection of Famous Performances - 02	三弦 : 福田 栄香 尺八 : 三世 荒木 古童 箏 : 河田 登宇
	Art of the Koto - Volume I	箏 : 吉村 七重
	Challenging Eternity Disk 20	箏 : 砂崎 知子 尺八 : 三橋 貴風
	Developments of Japanese Traditional Music Works Interpreted by Yonin no Kai - Vol 1	箏 : 後藤 すみ子
	Distant Cry of Deer, The	尺八 : 古賀将之
	Endless Sea - Impressions of Japan	尺八 : John Singer
	Fascination of the Koto 2	箏 : 米川 敏子
Rokudan (Instrumental composition in six sections) Composed by Yatsuhashi kengyo (d. 1685) One of the few instrumental pieces (danmono) which has been transmitted to the present. This piece consists of six sections and each of them has the same number of beats, although the tempo is accelerated.
	Flute and Koto of Japan	三弦 : 米川 敏子 尺八 : 山口 五郎
	Fujii Kunie Sokyoku Jiuta No Sekai 1
	Fujii Kunie, The World of Shamisen and Jiuta Singing 1	三弦 : 藤井 久仁江
	Fukami Satomi - Sokyoku Jiuta Shu - 1	箏 : 深海さとみ
	Haru no Umi - Koto Meikyoku Sen - 1	箏 : 沢井 忠夫 尺八 : 山本 邦山
	Heart of Zen - Simplicity	尺八 : Ronnie Nyogetsu Reishin Seldin
	Hōgaku Taikei Vol. 3 - Sōkyoku - Shakuhachi 1 (LP 1)	箏 : 中能島 欣一 尺八 : 初世 納富 寿童 箏 : 中能島 慶子 三弦 : 品川 正三
	Ikuta Ryu Sokyoku Senshu Volume 01 （上）	箏 : 宮城 喜代子 箏 : 宮城 数江
	Ikuta Ryu Sokyoku Senshu Volume 01 （下）	箏 : 宮城 数江
	Isaac Stern - The Classic Melodies of Japan	尺八 : 山本 邦山
	Japan - Ensemble of Traditional Instruments of Japan
	Japan - Splendour of the Koto
	Japanese Koto Music with Shamisen and Shakuhachi
ROKUDAN NO SHIRABE by Yatsuhashi Kengyo, follows a traditional form. The title stands for its form-six sections of 52 beats of 1/2 counts. It dates from early koto history, is neither descriptive nor symbolic. Simple of melody and technique, it is reminiscent of Bach, takes the form of concerto grosso played by koto, shamisen and shakuhachi.
	Japanese Music for Two Shakuhachi	尺八 : Ralph Samuelson 尺八 : 皇保
Rokudan was composed for solo koto in the 17th century by Yatsuhashi Kengyo, the father of the classical koto music tradition. The second part (kaede) was added in the 20th century, and Rokudan is often played as a koto duet. In making this presentation for two shakuhachi, the first three sections are played at a rather slow tempo to bring forth the instruments' special qualities. A prolonged cadence and slight pause are then introduced at the end of section 3, to further emphasize the changing character of the piece at the beginning of section 4.
	Japanese Traditional Music For Two Shakuhachi	尺八 : Ralph Samuelson 尺八 : 皇保
Rokudan was composed for solo koto in the 17th century by Yatsuhashi Kengyo, the father of the classical koto music tradition. The second part (kaede) was added in the 20th century, and Rokudan is often played as a koto duet. In making this presentation for two shakuhachi, the first three sections are played at a rather slow tempo to bring forth the instruments' special qualities. A prolonged cadence and slight pause are then introduced at the end of section 3, to further emphasize the changing character of the piece at the beginning of section 4.
	Kikuhara Hatsuko Zenshu vol. 1	箏 : 菊原 初子
	Kimio Eto - Koto Master	箏 : 衛藤 公雄
A classic piece of the Sixteenth Century. Originally composed for solo koto, it was re-arranged for two kotos about eighty years ago.
	Kinko Shakuhachi Gaikyoku Anthology Volume 1 - First Level - tape 1	尺八 : 三世 川瀨 順輔
	Koga Masayuki Shakuhachi Solo Music	尺八 : 古賀将之
	Koto - Keiko Nosaka	箏 : 野坂 惠子
	Koto Music of Japan
	Koto Music of Japan, The	箏 : 萩原 正吟
Music of Six Steps (Rokudan-no-shirabe) is a representative style of koto music composed by Yatsuhashi Kengyo (kengyo is an honorary title given to blind koto masters) who died in 1685. Yatsuhashi was an epic figure in the history of the koto, and his compositions have been widely handed down. Music of Six Steps is an "absolute" music consisting of six sections of 52 beats. Though this piece was originally composed for the koto, it later became fashionable to play it on the shamisen (three-stringed guitar-like instrument). The popularity of Rokudan was such that succeeding composers often adapted the melody.
	Koto no Kyoshu Nihon no Merodi-shu	箏 : 米川 敏子 箏 : 二代米川敏子 箏 : 辻本親登代 尺八 : 杉沼 左チ雄 箏 : 米川めぐみ
	Koto no Miryoku - Disk 1	箏 : 山内 喜美子
	Melody of Japan - Stillness of Winter	箏 : Pro Musica Nipponia 箏 : 花房 はるえ
	Midare - Kazue Sawai Plays Koto Classics	箏 : 沢井 一恵
	Miyagi Michio - Best One
	Moon at Dawn	箏 : 砂崎 知子 尺八 : 古賀将之
	Moonlit Castle	尺八 : John Singer
	Music For Two Shakuhachi	尺八 : Juerg Fuyuzui Zurmuehle 尺八 : Andreas Fuyu Gutzwiller
	Musical Anthology of the Orient, Unesco Collection Vol 3	箏 : 中能島 欣一
Sokyoku means "pieces for koto" (d. JAPAN I, SOKYOKU). In general, this term also includes vocal compositions accompanied on the koto or shamisen and koto. The so-called danmono (pieces in sections) are an exception, being purely instrumental exercises most of which were composed by Yatsuhashi Kengyo in the 17th century. The formal unit underlying these pieces is the dan (step, section). According to the number of dan the pieces are called "Rokudan no shirabe", or "Hachidan no shirabe", that is, pieces in six sections, pieces in eight sections, etc. Each dan is made up of 104 hyoshi, one hyoshi being the basic metrical unit. An extra four hyoshi, which constitute the initial motive of the first dan, are not counted in the 104. The tempo of a danmono is fixed. After a subdued beginning it is increased and reaches a climax which usually occurs towards the end of the last section, and then the piece is concluded quietly. The koto is tuned in Hirajoshi.
	Musical Cosmos of Yonekawa Toshiko 1	箏 : 米川 敏子
Melodies in six movements This is a solo koto piece believed to have been composed by YATSUHASI kengyo (1614-85), though a different tradition has it that the composer was KITAZIMA kengyo (?1690). The piece is also known as Rokudan. As the name suggests, except the 4 beats at the beginning of the 1st dan, there are 52 beats in each dan. The original tune of the 1st dan is presumed to be derived from Sitiku syosin syu (published 1664) or Sitiku taizen (published before 1687) and it was already performed then as an ensemble for koto, shamisen, and hitoyogiri shakuhachi. It is thought that the present form of six dan, in which there is pronounced variation, developed from repeating the dan of this original version three times. From a standpoint of the training system of specialists, Rokudan no shirabe is transmitted as a koto kumiuta omotegumi tukemono. However, as a koto piece, it has achieved the most popularity and has been variously arranged for shamisen and shakuhachi or has had kaete versions added. As sangen pieces, there are the Rokudan sugagaki (composed by HUKAKUSA kengyo) and the kaete Sansagari Rokudan (composed by KUNIYAMA koto). Similarly, in the kaete for koto there are, for example, the Nakazora Rokudan and the Kumoi Rokudan (Sansagari Rokudan in the transposed version for koto). A variety of instrumental variations are possible such as a shakuhachi and kokyu ensemble. There are many examples of complete Rokudan pieces which quote the entire Rokudan or pieces which use only a part of Rokudan. In the maebiki of MITUZAKI kengyo's Akikaze no kyoku or in Aioi no kyoku, a piece in the Meiji shinkyoku repertoire, it is possible to have an ensemble of the full Rokudan. In MITSUZAKI kengyo's Godan ginuta, however, the 5th dan of Rokudan is used and, in such pieces as the Hototogisu, Sumiyosi and Usu no koe of Yamada ryu sokyoku the 1st dan of Rokudan is performed in the ainote. This is an indication of how much Rokudan is enjoyed by so many people. The melody follows the dan and gradually the degree of variation increases so that Rokudan may be seen as a variation on a theme. The fundamental techniques of koto playing are effectively included so that it can also be used as a practice piece. It is the oldest classic koto piece with a simple form. As a performance, it is most suitable to play solo on the koto, because it enables a performer to display subtle tone colors most effectively. Yet, for the performer, it is also one of the most difficult pieces to play. The tuning is in hira zyosi throughout the piece.
	Musical Instruments of Japan - 3	尺八 : 山口 五郎 尺八 : 山本 邦山
	Nihon no Shirabe - Sō-Shamisen-Shakuhachi ni yoru	箏 : 佐藤 親貴
	Rokudan	箏 : 宮城 道雄
	Rokudan Koto no Meikyoku	箏 : 中能島 欣一
	Rokudan no Shirabe - Koto Favorites	箏 : 唯是 震一
	Sankyoku Gassō Dai Zenshū vol. 1 (三曲合奏大全集１)	箏 : 二代米川敏子 尺八 : 山本 邦山
	Sankyoku Gassō Dai Zenshū vol. 1 (三曲合奏大全集１)	箏 : 二代米川敏子 尺八 : 山口 五郎
	Selections from Koto, Shamisen and Shakuhachi	箏 : 米川 敏子
Roku-Dan is instrumental music performed by Koto only. It was completed in the Edo period during the seventeenth century. Koto is an instrument of 13 strings stretched lengthwise on a rather thick hollow wooden body. It was introduced into Japan from China during the early eighth century. Most Koto music is accompanied by a vocal portion, Koto-Uta. Roku-Dan is unique for Koto music as it is without Koto-Uta. Being a kind of etude, it is easy to play even for beginners. At the same time, it is a fine work for music appreciation. The composition is made up of 6 paragraphs of variations. Each one consists of 120 beats. This is the reason why it is called Roku-Dan. Roku means six in English.
	Shakuhachi - Classical Modern Best 30 - 05	箏 : 鈴木鼓村 尺八 : 中尾 都山
	Shakuhachi Tokusen - Araki Kodo III	三弦 : 福田 栄香 尺八 : 三世 荒木 古童 箏 : 河田 登宇
	So - Japanese Traditional Music	箏 : 米川 敏子
	Sō - Meikyoku no Shirabe (Koto music of Japan)	箏 : 宮城 喜代子
	Sō no Shiori (Ikuta Ryū) vol 9	箏 : 二世 米川 文子
	Sōkyoku Jiuta Gassō-shū (disc 1)	尺八 : 五世 荒木 古童 箏 : 山本裕子 箏 : 望月雅子
	Sokyoku Jiuta Taikei 07	箏 : 宮城 道雄
	Sokyoku Jiuta Taikei 07	三弦 : 福田 栄香 尺八 : 三世 荒木 古童 箏 : 河田 登宇
	Sōkyoku Koten Meikyoku no Hikaku Kenkyū (Comparative study of koto classics) 3	箏 : 真田 新
	Sōkyoku Koten Meikyoku no Hikaku Kenkyū (Comparative study of koto classics) 3	箏 : 松尾恵子
	Sōkyoku Koten Meikyoku no Hikaku Kenkyū (Comparative study of koto classics) 3	箏 : 初世 伊藤 松超
	Togashi Noriko - 01	三弦 : 富樫 教子
	Tomiyama Seikin - So	箏 : 初代 富山 清琴
	Traditional Music of Japan	箏 : 羽賀幹子
	Yamada - 04	箏 : 二世 上原真 佐喜 箏 : 大塚真佐恵
	Yamada - 05	歌 : 二世 上原真 佐喜 三弦 : 二世 上原真 佐喜
	Yamada Ryu Sokyoku Meikyoku-shu	箏 : 中能島 欣一
	Yamada-Ryū Koto no Kagami	箏 : 三世萩岡松韻
	Yoshida Seifu Collection of Famous Performances volume 2	箏 : 吉田恭子 尺八 : 吉田 晴風
	Zoku Sō-Sangen-Shakuhachi ni yoru Mei Senshū - volume 5	尺八 : 山口 五郎 箏 : 小橋 幹子 三弦 : 松尾恵子 箏 : 松尾和子