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This is a Koten piece
from the Kyushu Kei school
.
Kumoi Jishi (Itchoken) is also known as: Niagari Jishi.
History (from Jin Nyodo)
Itcho-ken: KUMOI-JISHI
1. About the title:
It probably indicates a shishi ("lion piece") in kumoi-joshi
2. Structure of the piece
It is formed in three sections. The first section opens in a sonorous, high tone but ends in a quieter, mid-range tone. The second section begins again in the mid-range, then the tempo becomes brighter and takes on a more defined rhythm. Around the middle of this section a rather short takane-style melody occurs. Sometimes the whole second section is repeated twice. The third section is a short, finale-style melody.
3. Special features of the piece:
Like Azuma-no-kyoku this is a gikyoku ("playful piece") and hence it is bright and cheerful. It centers throughout on the KO-range and has an even more vibrant and sonorous tone of composition than Azuma-no-Kyoku.
Kumoi Jishi (Itchoken) appears on the following albums:
| Album | Shakuhachi | Koto | Shamisen |
| Jin Nyodo No Shakuhachi 06 (Listen) |
Jin Nyodo |
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Itcho-ken: KUMOI-JISHI
1-shaku 8-sun
5 min. 40 sec.
1. About the title:
It probably indicates a shishi ("lion piece") in kumoi-joshi
2. Structure of the piece
It is formed in three sections. The first section opens in a sonorous, high tone but ends in a quieter, mid-range tone. The second section begins again in the mid-range, then the tempo becomes brighter and takes on a more defined rhythm. Around the middle of this section a rather short takane-style melody occurs. Sometimes the whole second section is repeated twice. The third section is a short, finale-style melody.
3. Special features of the piece:
Like Azuma-no-kyoku this is a gikyoku ("playful piece") and hence it is bright and cheerful. It centers throughout on the KO-range and has an even more vibrant and sonorous tone of composition than Azuma-no-Kyoku.
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