| Track |
Title |
Kanji |
Length |
Shakuhachi |
Shamisen |
Koto |
| 1 (Listen) |
San'ya (Jinbo) |
神保三谷 |
08'56 |
Kurahashi Yoshio |
|
|
|
The wandering monk Jinbo played this version of San'ya (literally "three valleys"), a common title for meditative honkyoku. Many consider this Kurahashi-sensei's signature piece.
|
| 2 (Listen) |
Azuma no Kyoku (Kinko Ryu) |
吾妻の曲 |
08'37 |
Kurahashi Yoshio |
|
|
|
Representative of a lighter more playful form of honkyoku sometimes referred to as "gikyoku," this piece expresses the longing of a wanderer for his home in the east (Azuma).
|
| 3 (Listen) |
Mukaiji (Fudaiji) |
霧海箎 |
07'30 |
Kurahashi Yoshio |
|
|
|
One of the three oldest honkyoku, Mukaiji is said to have been composed in a dream. The title is evocative of mist over the ocean.
|
| 4 (Listen) |
Kyorei (Fudaiji) |
虚鈴 |
07'13 |
Kurahashi Yoshio |
|
|
|
Kyorei is the oldest known shakuhachi piece, a slow quiet honkyoku that is at once very simple and very challenging: simple in its unornamented sighing melody, challenging because the player cannot hide behind technique.
|
| 5 (Listen) |
Kumoi Jishi |
雲井獅子 |
09'54 |
Kurahashi Yoshio |
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Like Azuma, Kumoijishi is a gikyoku, said to evoke a mythical lion dancing in the clouds.
|
| 6 (Listen) |
San'ya Sugagaki |
三谷菅垣 |
09'05 |
Kurahashi Yoshio |
|
|
|
A well-known composition of the Kinko school of shakuhachi. This is the most rhythmic of all honkyoku.
|
| 7 (Listen) |
Taki Ochi (Ryogenji) |
滝落 |
11'51 |
Kurahashi Yoshio |
|
|
|
This is a colorful honkyoku composed at the Ryugen-ji kumoso temple, which was located next to a large waterfall that is clearly depicted in the music's three varying sections.
|
| 8 (Listen) |
Ajikan (Itchoken) |
阿字観 |
07'17 |
Kurahashi Yoshio |
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An ancient meditative piece that exists in several versions. The title probably means contemplation (kan) of the first letter of the Sanskrit alphabet, a-ji. A-ji symbolizes the void.
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